MOSSO: music in motion

Jane Sheldon is a soprano and composer who has established an international reputation for highly specialised, groundbreaking art music for voice. Jane’s compositional output includes electronic music, chamber music, opera installations, works for dance companies and large-scale sound installations for museums. Described as “riveting” (New York Times) and “gripping” (Limelight Magazine), Jane’s compositions focus on the experience of altered or transformative states. Her latest album is I am a tree, I am a mouth (“conceptually brilliant… a vocal and compositional triumph, beautifully realised with splendid restraint” – Limelight Magazine). The release was listed in the New Yorker’s Notable Recordings of 2022. Her next album, Flowermuscle, is due out late 2024. 

Go to Artist's Page

Sally Walker is Lecturer in Classical Woodwind at the Australian National University, regular Guest Principal with the Australian Chamber Orchestra and Principal Flautist with the Omega Ensemble.  She performs on modern flutes and piccolo as well as historical flutes and recorders and has appeared in the London Proms, Salzburg, Lucerne, Tanglewood and Edinburgh Festivals.

She was Grand-finalist in the Leonardo de Lorenzo International Flute Competition (Italy), won 2nd Prize in the Friedrich Kuhlau International Flute Competition (Germany) and was awarded scholarships from the DAAD (German Academic Exchange for postgraduate study in Germany), Ian Potter Cultural Fund and the Queen’s Trust.

She has toured and recorded with the Berlin Philharmonic and Leipzig Gewandhaus Orchestras, is a former Principal Flute of the Deutsche Kammerakademie Neuss, was a member of Kölner Kammerorchester and has performed as Guest Principal Flute with the City of Birmingham Symphony Orchestra, BBC National Orchestra of Wales, NDR Radio Philharmonie Hannover, Kammerakademie Potsdam, Manchester Camerata, Queensland Symphony Orchestra, Adelaide Symphony Orchestra and the Australian Opera and Ballet Orchestra.

Sally devotes herself to both Early and Contemporary Music, having performed with Early Music ensembles such as Das Neue Orchester Köln, Neues Bachisches Collegium Musicum and the Leipziger Kammerorchester as well as Contemporary Music ensembles such as Halcyon.  She is deeply committed to chamber music and has collaborated with colleagues across various art forms and styles, including Tamara Anna-Cislowska, Aiko Goto, David Greco, Steven Isserlis, Afro Moses, Ian Munro, Simon Tedeschi, Dénes Várjon, Shanghai and Acacia string quartets.  She has recorded three CDs with Pianist Philip Mayers, was featured on Sally Whitwell’s Aria-nominated CD, “I was Flying”, Cyrus Meurant’s CD “Monday to Friday” and on recordings with Halycon, Australian Chamber Orchestra and other orchestras.

Photo credit:

Portrait of Sally – Rohan Thomson
Photo of dolphins – Grant Stevens
Graphic design – Cole Bennetts

Flinders Quartet (FQ) is instantly recognisable as one of Australia’s most loved chamber music ensembles. A quartet for the 21st century and a highly respected force in Australian chamber music, FQ marks their twenty-fifth anniversary with acknowledged musical skill and maturity.

FQ lives up to their motto of “caring for tradition, daring to be different” through a busy schedule encompassing live and online performances, commissioning, recording, education and mentorship programs including the successful composer development programs ‘Ascend’ and ‘Emerge’, and outreach activities through their artistic patronage of John Noble’s Itet regional quartet program, Resonance String Orchestra, and Musica Viva’s Strike a Chord championship.

Photo credit – Pia Johnson