C01 Tree of Life
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Friday, 29 Apr 2022
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Australian National Botanic Gardens
Clunies Ross St, Acton ACT 2601
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In Association with
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With Support From
Start the Festival with a magical walk through nature and music. Our National Botanic Gardens never fail to offer one of the most enjoyable and stimulating outdoor experiences of the festival.
Program
A detailed itinerary of the walk through the gardens will be announced closer to the date.
Artists
Eric Avery, violin/voice
Horomona Horo, taonga pūoro (Māori instruments)
Louise Devenish and Kaylie Melville, percussion
Throat Pleats: Solomon Frank and Niki Johnson
Gelareh Pour, voice/kamancheh
Theo Carbo, electric guitar
Levente Szabo, dancing Symbiosis, a site-specific work by Australian Dance Party, with sound design by Andy McMillan.
Please note that this event involves some walking (approx 300m). Seating is provided at some of the venues in the garden, but not all.
ARTIST Learn more about the artist
Artist Australian Dance Party
Australian Dance Party is a collective of contemporary dance artists creating joyous, bold and urgent site-specific dance work in Canberra and beyond. We harness the universality, power and playfulness of the human body to connect to the ordinary and extraordinary spaces around us, inspiring thinking, feeling and action in today’s world. Through a focus on creative practice, we are creating and presenting new work, developing and sustaining careers for dance artists in our region. And we have fun….it’s a Party!
Artist Eric Avery
Eric Avery is a Ngiyampaa, Yuin, Bandjalang and Gumbangirr artist. As part of his practice Eric plays the violin, dances and composes music. Working with his family’s custodial songs he seeks to revive and continue on an age-old legacy – continuing the tradition of singing in his tribe – utilising his talents to combine and create an experience of his peoples culture.
Artist Horomona Horo
Horomona Horo is a New Zealand Māori musician and composer. He is a practitioner of taonga pūoro, the collective term for the traditional musical instruments of the Māori, which include an array of flutes, trumpets and percussive instruments.
He has represented New Zealand music in Europe, Asia, South America and Oceania including engagements with the Weimaraer Staatskapelle Orchestra, touring Italy with Canti Maori opera and performing as a guest artist at the Battle of Passchendaele 90th Commemorations in Belgium. In 2009 Horo was described as the “master of his generation” by Maori cultural magazine, Mana and has collaborated with New Zealand composers such as Gareth Farr for the Voices New Zealand Chamber Choir and Victoria Kelly for the NZTrio. In 2010 Horo collaborated with UK film and concert composer, Paul Lewis (composer) on the Legends of Rotorua project for chamber ensemble, story teller and taonga pūoro. The forty-five-minute composition tells two of the great legends of the Te Arawa people and was premiered at the Rotorua Festival of the Arts in February 2011. Horo is the Maori consultant to Choirs NZ and taonga puoro musician.
Artist Louise Devenish
Dr Louise Devenish is a percussionist whose creative practice blends performance, collaboration and artistic research. As a soloist and with ensembles Decibel, The Sound Collectors Lab and Intercurrent, she develops new works exploring performance, notation and collaborative creativity, performing around Australasia, Europe, North America and UK. She has collaborated on solo and ensemble recordings released on HatArt, Listen/Hear, Immediata, Innova, Tall Poppies and room40, and her work has been recognised by numerous awards and grants including a Churchill Fellowship. Louise is Percussion Coordinator at Monash University, where she is undertaking an Australian Research Council Fellowship (DECRA) in artistic research, creating new works with artistic teams of collaborators working across music, visual arts, digital arts and spatial design.
Artist Theo Carbo
Theo Carbo (b. 1999, Melbourne, Australia) is a guitarist, composer, electronic musician, producer and sound engineer. Growing up as an astute student of jazz, Theo’s proficiency as a guitarist has seen him working in groups of Australia’s most important improvising musicians including Barney Mcall, Andrea Keller, Sam Anning, Nadje Noordhuis, Joseph O’Connor and Paul Williamson. A keen philosopher of music and a student of composition at the Victorian College of the Arts, Theo has recently been developing a broader practise which involves elements of experimental composition, electronic processes, solo and ensemble improvisation and studio engineering.
“Theo is a naturally gifted artist with a unique and refined take on things. His musical maturity is a great argument for the collective unconscious” – Barney Mcall
Artist Gelareh Pour
Gelareh Pour is an Iranian born classically trained multi-instrumentalist, singer, composer and music instructor, largely performing on the Kamancheh (Persian spiked fiddle). Currently based in Ballarat, Australia, Gelareh leads two experimental groups, Gelareh Pour’s Garden and ZÖJ, and regularly collaborates with artists from all walks of life. Gelareh’s music explores the duality of multiculturalism and true cross-cultural experimentation. Since her arrival in Australia she has produced six independent albums, composed music for various ABC Radio programs and has appeared in some of the most respected Australian and international music festivals and venues. She has become a finalist for Art 2020 Music Awards for Excellence in Experimental Music and nominated for industry voted Music Victoria Awards 2020 & 2021 for the Best Intercultural Music Act.
Artist Kaylie Melville
Melbourne-based percussionist Kaylie Melville is a soloist and chamber musician dedicated to new music performance. Noted for her “extraordinary ability to impart a sense of musicality to even the smallest gestures” (Partial Durations), Kaylie is an Artistic Associate with new music pioneers Speak Percussion, co-Artistic Director of the contemporary ensemble Rubiks Collective and frequently works with leading Australian ensembles and orchestras. In addition to performing, Kaylie’s practice incorporates improvising, directing, curating and teaching.
As a passionate advocate of new music Kaylie has performed in the world premieres of major Australian works, including Kate Neal’s ‘Semaphore’ (Arts House 2015) and as the percussion soloist in Jack Symond’s ‘Double Purity’ double concerto (BIFEM 2016). Her festival appearances include the Metropolis New Music Festival, Bendigo International Festival of Exploratory Music, Melbourne Festival, Adelaide Cabaret Festival, Salihara Festival (Indonesia), and the Percussive Arts Society’s International Convention (US). Kaylie has also participated in a number of prestigious new music courses including the inaugural Eighth Blackbird Creative Lab (USA, 2017), Darmstadt Summer Course for New Music (Germany, 2016), Bang on a Can Summer Festival (USA, 2015) and So Percussion’s Summer Institute at Princeton University (USA, 2013).
Kaylie’s awards include an Ian Potter Cultural Trust Grant for study in the US, an Australia Council ArtStart Grant, the University of Melbourne’s Professional Pathways Scholarship, and the Australian National Academy of Music’s John and Rosemary MacLeod Traveling Fellowship. Kaylie was Speak Percussion’s Young Artist in Residence in 2014, was selected as a finalist in the ANAM Concerto Competition in 2015, and was a finalist for the Freedman Classical Fellowship in 2016. In November 2016 she was featured in ABC Classic FM’s ’40 Under 40′ as part of Australian Music Month.