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C05 Heart of the House

  • May 1, 2022

    11.00am - 11.50am (plus morning tea)

  • Parliament House

    Parliament Drive, Canberra ACT 2600

Above Giurgola’s building, a central flagpole has become Canberra’s dominant landmark. Beneath that pole hovers a number of beautiful spaces that provide the setting for this musical encounter between ancient cultures and modern voices. First Nations artists Horomona Horo and Eric Avery reach out musically from both sides of the Tasman – inside the House that is ours. 

 

Program

tbc

 

Artists 

Eric Avery, violin 

Horomona Horo, taonga pūoro 

Theo Carbo, electric guitar 

Jason Noble, clarinet

ARTIST Learn more about the artist

Artist Theo Carbo

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Theo Carbo (b. 1999, Melbourne, Australia) is a guitarist, composer, electronic musician, producer and sound engineer. Growing up as an astute student of jazz, Theo’s proficiency as a guitarist has seen him working in groups of Australia’s most important improvising musicians including Barney Mcall, Andrea Keller, Sam Anning, Nadje Noordhuis, Joseph O’Connor and Paul Williamson. A keen philosopher of music and a student of composition at the Victorian College of the Arts, Theo has recently been developing a broader practise which involves elements of experimental composition, electronic processes, solo and ensemble improvisation and studio engineering. "Theo is a naturally gifted artist with a unique and refined take on things. His musical maturity is a great argument for the collective unconscious" - Barney Mcall

Artist Horomona Horo

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Horomona Horo is a New Zealand Māori musician and composer. He is a practitioner of taonga pūoro, the collective term for the traditional musical instruments of the Māori, which include an array of flutes, trumpets and percussive instruments. He has represented New Zealand music in Europe, Asia, South America and Oceania including engagements with the Weimaraer Staatskapelle Orchestra, touring Italy with Canti Maori opera and performing as a guest artist at the Battle of Passchendaele 90th Commemorations in Belgium. In 2009 Horo was described as the "master of his generation" by Maori cultural magazine, Mana and has collaborated with New Zealand composers such as Gareth Farr for the Voices New Zealand Chamber Choir and Victoria Kelly for the NZTrio. In 2010 Horo collaborated with UK film and concert composer, Paul Lewis (composer) on the Legends of Rotorua project for chamber ensemble, story teller and taonga pūoro. The forty-five-minute composition tells two of the great legends of the Te Arawa people and was premiered at the Rotorua Festival of the Arts in February 2011. Horo is the Maori consultant to Choirs NZ and taonga puoro musician.

Artist Eric Avery

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Eric Avery is a Ngiyampaa, Yuin, Bandjalang and Gumbangirr artist. As part of his practice Eric plays the violin, dances and composes music. Working with his family’s custodial songs he seeks to revive and continue on an age-old legacy – continuing the tradition of singing in his tribe – utilising his talents to combine and create an experience of his peoples culture.

Artist Jason Noble

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Jason Noble is one of Australia’s most versatile clarinettists – experimental to classical – a soloist and core member of Ensemble Offspring. Jason has performed at festivals locally and internationally, from Warsaw to London, Shanghai to Kabul, and all major cities across Australia. “His expertise and virtuosic playing give new insights into the versatility of the bass clarinet” (Sounds Like Sydney)

His album releases include THRUM (2020) – a collection of improvised ambient sounds created with Kim Cunio on piano – and Chi’s Cakewalk (2017), an album of new Australian works for clarinets. He has also made guest appearances on albums for Gurrumul,  Sally Seltmann, ABC Classics, Gondwana Voices, Paul Mac, Halcyon, SICKO improvising orchestra, and the Tiwi women’s choir Ngarukuruwala. Recently he performed at the Adelaide Festival in Incredible Floridas, curated by Kim Williams, appearing as soloist with the Australian String Quartet.

Jason collaborates with living and emerging composers, and is an in-demand music educator and examiner. He has been invited to teach two winter academies at the Afghanistan National Institute of Music in Kabul, and maintains links with staff and students there.