C15 Magic Eight

  • Friday, 5 May 2023

  • Fitters' Workshop

    Printers Way, Kingston, ACT 2604

Schubert’s monumental Octet from 1824, sumptuously laid out over six movements, combines five string players with three winds. This is chamber music on a big scale, bringing together the Quatuor Van Kuijk with four prominent Australians.

Igor Stravinsky’s classic Octet for wind instruments (including two bassoons), came to the composer in a dream. As we celebrate its 100th birthday in 2023, the octet is anything but dreamy: it prattles and prances with the best of them.

Between these two classic pillars, a modern masterpiece by Danish composer Per Nørgård is sung by the eight voices of Luminescence Chamber Singers.  Wie ein Kind (Like a Child), conveys innocence and sophistication in settings of poetry by Adolf Wölfli and Rainer Maria Rilke.

 

Program

Igor Stravinsky, Octet (1923)

Per Nörgard, Wie ein Kind (Like a Child) (1980)

-interval-

Franz Schubert,  Octet (1824)

 

Artists

Luminescence Chamber Singers

Quatuor Van Kuijk

Sally Walker, flute

Oliver Shermacher, clarinet

Ben Hoadley and Zoey Pepper, bassoon

Fletcher Cox, trumpet

Joel Walmsley, trumpet

Jackson Bankovic, trombone

Aidan Gabriels, horn

Max McBride, double bass

Paolo Franks, trombone

 

ARTIST Learn more about the artist

Artist Luminescence Chamber Singers

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Luminescence gives voice to human experiences of all kinds.

Luminescence Chamber Singers is a vocal ensemble based on Ngunnawal country [Canberra, Australia], and the umbrella organisation for the Luminescence Children’s Choir. Performing music from all times and places, Luminescence champions the unbound expressive potential of our original instrument – the human voice. Both ensembles deliver artistic and educational programs that ignite the imagination of audiences, and give voice to human experiences of all kinds.

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Artist Quatuor Van Kuijk

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“Style, energy and a sense of risk. These four young Frenchman made the music smile.” The Guardian

The Quatuor Van Kuijk’s international accolades boast First, Best Beethoven, and Best Haydn Prizes at the 2015 Wigmore Hall International String Quartet competition; First Prize, and an Audience Award at the Trondheim International Chamber Music Competition; as well as becoming laureates of the Aix-en-Provence Festival Academy. They were BBC New Generation Artists from 2015-17, as well as ECHO Rising Stars for the 2017-18 season.

Following such high success early in their career, the ensemble is an established presence at major international venues, performing at the Wigmore Hall, London; Philharmonie de Paris, Auditorium du Louvre, Théâtre des Champs-Elysées, and Salle Gaveau, Paris; Tonhalle, Zurich; Wiener Konzerthaus and Musikverein, Vienna; Royal Concertgebouw, Amsterdam; Berliner Philharmonie; Kölner Philharmonie; Elbphilharmonie, Hamburg; Gulbenkian, Lisbon; Tivoli Concert Series, Denmark; Konserthuset Stockholm; and at festivals including the BBC Proms, Cheltenham, Heidelberg, Lockenhaus, Davos, Verbier, Aix-en-Provence, Montpellier/Radio France, Evian, Auvers-sur-Oise, Stavanger and Trondheim (Norway), Concentus Moraviae (Czech Republic), Haydn/Esterházy (Hungary), and Eilat (Israel).

 

Quatuor Van Kuijk is supported by Sharon Green and Marcel Skjald 

Artist Oliver Shermacher

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Australian born clarinettist Oliver Shermacher completed his Bachelors at the Sydney Conservatorium of Music under Francesco Celata, and his Masters at the Freiburg Hochschule für Musik with Kilian Herold and Anton Hollich. He is currently living between Germany and Australia, performing as soloist, chamber musician and orchestral clarinettist. He was recently awarded the highly prestigious recognition of the 1st Prize and Audience Choice at the 2022 Aeolus Competition in Düsseldorf, one of the world’s most significant competitions for wind instrumentalists. Oliver won the Freedman Fellowship in 2018 and reached the Grand Finals of the 2018 ABC Young Performers Award, also receiving the Audience Choice award. Oliver has performed as soloist with the Düsseldorfer Symphoniker, Sydney Symphony Orchestra, Apex Ensemble and was the Artist in Residence with the Willoughby Symphony Orchestra for their 2021/2022 Season, having premiered the Alice Chance Clarinet Concerto with the orchestra in 2022. Oliver has played as Principal Clarinet with the Deutsche Kammerphilharmonie Bremen, the Sydney Symphony Orchestra, Opera Australia Orchestra, Freiburg Philharmonisches Orchester and with the Australian World Orchestra on Bass Clarinet. Oliver is a passionate composer, theatre maker and new music enthusiast with a focus on the intersection between theatre and solo performance.

Artist Sally Walker

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Sally Walker is Lecturer in Classical Woodwind at the Australian National University, regular Guest Principal with the Australian Chamber Orchestra and Principal Flautist with the Omega Ensemble.  She performs on modern flutes and piccolo as well as historical flutes and recorders and has appeared in the London Proms, Salzburg, Lucerne, Tanglewood and Edinburgh Festivals.

She was Grand-finalist in the Leonardo de Lorenzo International Flute Competition (Italy), won 2nd Prize in the Friedrich Kuhlau International Flute Competition (Germany) and was awarded scholarships from the DAAD (German Academic Exchange for postgraduate study in Germany), Ian Potter Cultural Fund and the Queen’s Trust.

She has toured and recorded with the Berlin Philharmonic and Leipzig Gewandhaus Orchestras, is a former Principal Flute of the Deutsche Kammerakademie Neuss, was a member of Kölner Kammerorchester and has performed as Guest Principal Flute with the City of Birmingham Symphony Orchestra, BBC National Orchestra of Wales, NDR Radio Philharmonie Hannover, Kammerakademie Potsdam, Manchester Camerata, Queensland Symphony Orchestra, Adelaide Symphony Orchestra and the Australian Opera and Ballet Orchestra.

Sally devotes herself to both Early and Contemporary Music, having performed with Early Music ensembles such as Das Neue Orchester Köln, Neues Bachisches Collegium Musicum and the Leipziger Kammerorchester as well as Contemporary Music ensembles such as Halcyon.  She is deeply committed to chamber music and has collaborated with colleagues across various art forms and styles, including Tamara Anna-Cislowska, Aiko Goto, David Greco, Steven Isserlis, Afro Moses, Ian Munro, Simon Tedeschi, Dénes Várjon, Shanghai and Acacia string quartets.  She has recorded three CDs with Pianist Philip Mayers, was featured on Sally Whitwell’s Aria-nominated CD, “I was Flying”, Cyrus Meurant’s CD “Monday to Friday” and on recordings with Halycon, Australian Chamber Orchestra and other orchestras.