B4 French for Breakfast #4

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May 5, 2023
8.30am - 10.00am
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Australian Centre for Christianity and Culture
15 Blackall Street, Barton
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General Admission $60.00,
Concession $54.00
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In Association with

Start your day in style with a delicious breakfast and exquisite French music played by your favourite festival artists. Bon appétit!
After the French Revolution, French brass traditions took a major step forward, developing a taste for grandiose events with massed brass choirs. The five players from Golden Gate Brass concentrate on the more witty and whimsical side of the French character: from Gounod’s Funeral March for a Marionette to the oddly titled pieces of Erik Satie.
The concert is followed by a conversation with the artists led by Genevieve Jacobs.
Program
Georges Bizet, arr. Bankovic, Farandole (1872)
Charles Gounod, arr. Frackenpohl, Funeral March for a Marionette (1872)
Roland De Lassus, arr. Baker, Paisible Demaine (1571)
Erik Satie, arr. Baker, Sonneries de la Rose Croix 1. Air de L’Ordre (1892)
Claude LeJeune, arr. Baker, Voici le Printemps (c1600)
Lili Boulanger, arr. Linsmeier, D’un Vieux Jardin (1914)
Claude Debussy, arr. Mayer, Golliwog’s Cakewalk (1908)
Artists
Golden Gate Brass
Fletcher Cox and Joel Walmsley, trumpet
Aidan Gabriels, horn
Jackson Bancovic, trombone
Jason Catchpole, tuba
Get your tickets now
-
May 5, 2023
8.30am - 10.00am
-
Australian Centre for Christianity and Culture
15 Blackall Street, Barton
-
General Admission $60.00,
Concession $54.00
ARTIST Learn more about the artist
Artist Roland Peelman AM - Director
Artist Alma Moodie Quartet
Artist Anna Fraser
Artist Ausdance ACT
Artist Australian Haydn Ensemble
Artist Alexander Gavrylyuk
Artist Andrew Goodwin
Andrew Goodwin has appeared with opera companies and orchestras in Europe, Asia and Australia including the Bolshoi Opera, Gran Theatre Liceu Barcelona, Teatro Real Madrid, La Scala Milan, Opera Australia, Pinchgut Opera, Sydney Chamber Opera, St. Petersburg Philharmonic, Auckland Philharmonia, New Zealand, Sydney, Melbourne, Queensland, Adelaide and Tasmanian Symphony Orchestras, Moscow and Melbourne Chamber Orchestras, and in recital with pianist Daniel de Borah at Wigmore Hall, the Oxford Lieder, Port Fairy and Canberra International Music Festivals. In 2022, Andrew returned to the Canberra International Music Festival and Australian Haydn Ensemble in Haydn’s The Creation, the Queensland Symphony Orchestra for Mozart’s Requiem, and the Canberra Symphony Orchestra for Messiah. Still to come this year, Andrew will perform Messiah with the Melbourne Symphony Orchestra, Mozart’s Requiem with Tasmanian Symphony Orchestra, feature at the Tyalgum, Albury Chamber Music and Sanguine Estate festivals, and tour with the new vocal ensemble, AVÉ. Recent engagements include Lysander, A Midsummer Night’s Dream (Adelaide Festival); Jacquino, Fidelio (West Australian Symphony Orchestra); Nadir, The Pearlfishers (State Opera South Australia); Diary of one who disappeared and Rape of Lucretia (Sydney Chamber Opera); Artaxerxes title role (Pinchgut Opera); Mozart Requiem (MSO); Brett Dean’s The Last Days of Socrates (SSO); Messiah (NZSO, QSO and MSO); and performances at the Australian Festival of Chamber Music, Townsville. |