All artists from A – Z
Artist Roland Peelman AM - Director
Artist Alma Moodie Quartet
Artist Andrew Goodwin
Andrew Goodwin has appeared with opera companies and orchestras in Europe, Asia and Australia including the Bolshoi Opera, Gran Theatre Liceu Barcelona, Teatro Real Madrid, La Scala Milan, Opera Australia, Pinchgut Opera, Sydney Chamber Opera, St. Petersburg Philharmonic, Auckland Philharmonia, the New Zealand, Sydney, Melbourne, Queensland, Adelaide and Tasmanian Symphony Orchestras, Moscow and Melbourne Chamber Orchestras, Sydney Philharmonia Choirs, and in recital at Wigmore Hall, Oxford Lieder, and the Port Fairy, Huntington, Coriole, Bendigo, Australian Chamber Music and Canberra International Music Festivals.
Recent engagements include Lysander, A Midsummer Night’s Dream (Adelaide Festival); Jacquino, Fidelio (West Australian Symphony Orchestra); Nadir, The Pearlfishers (State Opera South Australia); Diary of one who disappeared (Sydney Chamber Opera); Hasse’s Artaxerxes title role, (Pinchgut Opera); Carmina Burana and “Nativity”( Richard Mills’ new oratorio) both for Adelaide Symphony; Mozart Requiem (Sydney Philharmonia Choirs); St Matthew Passion – Evangelist (Melbourne Bach Choir); Messiah (NZSO, QSO and MSO); The Rake’s Progress title role (Auckland Philharmonia Orchestra) and a national tour with the new Australian Vocal Ensemble, AVE, of which Andrew is a founding member.
Artist Alice Giles
Alice Giles has been celebrated as one of the world’s leading harp soloists. The Australian-born musician first attracted international notice when she won First Prize in the 8th Israel International Harp Contest at the age of 21. Since then she has performed extensively internationally both in recital and with orchestra. She presented her first solo recital at the age of 13 at the Sydney Conservatorium of Music, was awarded the coveted Churchill International Fellowship and an Australia Council Grant to study in the USA and made her New York debut recital at Merkin Hall in 1983.
Regarded by Luciano Berio as the foremost interpreter of his Sequenza II, she has taken part in tributes to Berio at the Queen Elizabeth Hall London, Salzburg Mozarteum, and at the 92nd Street Y in New York to honour his 70th birthday. She has given many premiere performances for her instrument, has commissioned a complete program of works for the electro-acoustic harp, and is Director of the Seven Harp Ensemble (SHE), which has commissioned many new works by Australian composers.
As a recipient of an Australian Antarctic Arts Fellowship, she performed a solo concert at Mawson Station in 2011 commemorating the Centenary of the first Australasian Antarctic Expedition.Concert highlights include solo recitals in London’s Wigmore Hall, New York’s 92nd Street Y, Merkin Hall NY, Frankfurt Alte Oper, Gulbenkian Foundation Lisbon, and concertos with the Israel Philharmonic Orchestra, Collegium Musicum Zürich, Badische Staatskapelle Karlsruhe, English Symphony Orchestra, Mainzer Kammerorchester, Danish Radio Concert Orchestra, Hamburg Mozart Orchestra, Ohio Chamber Orchestra, Lincoln Symphony Orchestra, Taiwan Symphony Orchestra, Israel Chamber Orchestra and regularly with all the major Australian Symphony and Chamber orchestras.
Artist Australian Haydn Ensemble
In 2022 the Australian Haydn Ensemble (AHE) enters its 10th year as a recognised Australian period instrument ensemble of excellence. Under the leadership of Artistic Director Skye McIntosh, nationally and internationally-lauded musicians bring historically-inspired performances to life.
AHE has garnered a well-earned reputation for engaging audiences with imaginative programming, vibrant performances and enlightening workshops.This world-class ensemble performs at festivals, tours regularly throughout regional NSW, and presents its highly successful subscription series in Sydney, Canberra and other regional centres.
In 2022 the Ensemble will present five subscription concert tours, make its Adelaide Festival and Canberra International Music Festival debuts, perform at a number of other unique regional NSW festivals and release its second orchestral album on the ABC Classic label.
Artist Bowerbird Collective
Artist Damian Barbeler
Artist Dimity Shepherd
Artist Eric Avery
Artist Flora Carbo
Artist Hamish Gullick
Artist Jacob Abela
Artist Jason Noble
Jason Noble is one of Australia’s most versatile clarinettists – experimental to classical – a soloist and core member of Ensemble Offspring. Jason has performed at festivals locally and internationally, from Warsaw to London, Shanghai to Kabul, and all major cities across Australia. “His expertise and virtuosic playing give new insights into the versatility of the bass clarinet” (Sounds Like Sydney)
His album releases include THRUM (2020) – a collection of improvised ambient sounds created with Kim Cunio on piano – and Chi’s Cakewalk (2017), an album of new Australian works for clarinets. He has also made guest appearances on albums for Gurrumul, Sally Seltmann, ABC Classics, Gondwana Voices, Paul Mac, Halcyon, SICKO improvising orchestra, and the Tiwi women’s choir Ngarukuruwala. Recently he performed at the Adelaide Festival in Incredible Floridas, curated by Kim Williams, appearing as soloist with the Australian String Quartet.
Jason collaborates with living and emerging composers, and is an in-demand music educator and examiner. He has been invited to teach two winter academies at the Afghanistan National Institute of Music in Kabul, and maintains links with staff and students there.
Artist John Blay
Artist Jonathan Biggins
Artist Kaylie Melville
Artist Kompactus Youth Choir
Artist Louise Devenish
Dr Louise Devenish is a percussionist whose creative practice blends performance, collaboration and artistic research. As a soloist and with ensembles Decibel, The Sound Collectors Lab and Intercurrent, she develops new works exploring performance, notation and collaborative creativity, performing around Australasia, Europe, North America and UK. She has collaborated on solo and ensemble recordings released on HatArt, Listen/Hear, Immediata, Innova, Tall Poppies and room40, and her work has been recognised by numerous awards and grants including a Churchill Fellowship. Louise is Percussion Coordinator at Monash University, where she is undertaking an Australian Research Council Fellowship (DECRA) in artistic research, creating new works with artistic teams of collaborators working across music, visual arts, digital arts and spatial design.
Artist Luminescence Chamber Singers
Luminescence gives voice to human experiences of all kinds.Luminescence Chamber Singers is a vocal ensemble based on Ngunnawal country [Canberra, Australia], and the umbrella organisation for the Luminescence Children’s Choir. Performing music from all times and places, Luminescence champions the unbound expressive potential of our original instrument - the human voice. Both ensembles deliver artistic and educational programs that ignite the imagination of audiences, and give voice to human experiences of all kinds. Luminescence presents an annual concert programme in Canberra and surrounding regions, and performs at a wide range of festivals, events and collaborations. Recent highlights have included performances of David Lang’s Pulitzer prize winning work, ‘little match girl passion’, appearances for Canberra International Music Festival, Four Winds Festival (Bermagui), Musica Viva, Flowers of War, and numerous performances in partnership with the National Gallery of Australia for Patricia Piccinini’s ‘Every Heart Sings’ Skywhale project.
Artist Monique Lapins
Artist New Zealand String Quartet
Celebrating its 35th season, the New Zealand String Quartet has established an international reputation for its insightful interpretations, compelling communication, and dynamic performing style. The Quartet is known for its imaginative programming and for its powerful connection with audiences of all kinds.
The group's extensive discography includes the complete quartets of Mendelssohn, Bartok, Berg, Brahms, Janacek and Lilburn on the Naxos label, works by Ravel, Debussy, Mozart, Beethoven, Schubert, Dvorak, Wolf, Tan Dun, Takemitsu, Gao Ping, and Zoltan Szekely as well as many NZ compositions.
The Quartet tours regularly in the UK, Europe and North America as well as to Mexico, Curaçao, Japan, Korea, and China, and made many visits to Australia, including the festivals in Townsville and Canberra.
As Quartet-in-Residence and teachers at the New Zealand School of Music Te Kōkī at Victoria University of Wellington since 1991, as well as running two intensive chamber music courses annually, the Quartet has had a profound effect on generations of New Zealand’s string players and composers.
Artist Orava String Quartet
The Orava Quartet has been hailed by Limelight magazine as “the most exciting young quartet on the block” and predicted by The Australian to become “one of Australia’s proudest cultural exports.” Earning a reputation and devoted following for their thrilling performances, the Quartet – brothers Daniel and Karol Kowalik (violin and cello), violinist David Dalseno and violist Thomas Chawner - bring their unique sound and breathtaking intensity to the classics of the string quartet canon.
Selected by Deutsche Grammophon for its historic, first Australian recording release in 2018, received with widespread critical acclaim, Orava Quartet has performed in North America - including Canada in 2019 for the Festival International Hautes-Laurentides and Music and Beyond Festival (Ottawa) - and Asia, the UAE and New Zealand, working closely with the world-renowned Takács Quartet in the USA and winning top prizes at the 2013 Asia Pacific Chamber Music Competition.
Brisbane-based, Orava Quartet performs at venues and festivals around the country including Sydney Opera House’ Utzon Music Series, City Recital Hall Angel Place, Melbourne Recital Centre, Adelaide’s UKARIA, for VIVID Sydney with Sufjan Stevens, the New Zealand and BBC Proms festivals and Melbourne, Queensland, Canberra and Musica Viva Music Festivals. Praise for their live performances includes “gut-wrenching” (ArtsHub), “masterful" (Dominion Post) and "a beauty" (SMH). The Quartet proudly continue in their eighth year as Camerata’s 2022 Artist-in-Residence, performing at Queensland Performing Arts Centre, Empire Theatres Toowoomba, Melbourne Recital Centre, for Musica Viva Tasmania, Brisbane Music Festival, Bangalow Music Festival, UKARIA (Adelaide), Riverside Theatres (Sydney) and Canberra International Music Festival.
Artist Ruben Palma
Australian-Salvadoran cellist Dr. Ruben Palma is a freelance musician and pedagogue living and working on Gadigal land. Ruben began to play the cello aged 6, and spent nine years studying with Lindy Reksten at the Canberra School of Music. Ruben later studied with Julian Smiles, Howard Penny (at the Australian National Academy of Music), and Nicolas Altstaedt (at the Hochschule für Musik und Tanz Köln), and also undertook masterclasses and lessons with Steven Isserlis, David Geringas, Alban Gergardt, Uzi Wiesel, Maria Kliegel, Gabriel Schwabe, Pieter Wispelwey, Daniel Yeadon, and Gary Hoffman.
Ruben was a state finalist in the 2008 Symphony Australia Young Performers Awards, a finalist and prizewinner in the 2014 Australian Cello Awards, the 2015 Australian Chamber Orchestra Emerging Artist, and partook in the 2017 Sydney Symphony Orchestra Fellowship program. His solo and chamber music performances have been broadcast by Melbourne Digital Concert Hall, ABC Classic FM, 702 ABC Sydney, 3MBS, and FM 102.5 Sydney Fine Music. Ruben's cello was made in 2017 by Yanbing Chen.
Artist Sally Walker
Sally Walker is Lecturer in Classical Woodwind at the Australian National University, regular Guest Principal with the Australian Chamber Orchestra and Principal Flautist with the Omega Ensemble. She performs on modern flutes and piccolo as well as historical flutes and recorders and has appeared in the London Proms, Salzburg, Lucerne, Tanglewood and Edinburgh Festivals.
She was Grand-finalist in the Leonardo de Lorenzo International Flute Competition (Italy), won 2nd Prize in the Friedrich Kuhlau International Flute Competition (Germany) and was awarded scholarships from the DAAD (German Academic Exchange for postgraduate study in Germany), Ian Potter Cultural Fund and the Queen's Trust.
She has toured and recorded with the Berlin Philharmonic and Leipzig Gewandhaus Orchestras, is a former Principal Flute of the Deutsche Kammerakademie Neuss, was a member of Kölner Kammerorchester and has performed as Guest Principal Flute with the City of Birmingham Symphony Orchestra, BBC National Orchestra of Wales, NDR Radio Philharmonie Hannover, Kammerakademie Potsdam, Manchester Camerata, Queensland Symphony Orchestra, Adelaide Symphony Orchestra and the Australian Opera and Ballet Orchestra.
Sally devotes herself to both Early and Contemporary Music, having performed with Early Music ensembles such as Das Neue Orchester Köln, Neues Bachisches Collegium Musicum and the Leipziger Kammerorchester as well as Contemporary Music ensembles such as Halcyon. She is deeply committed to chamber music and has collaborated with colleagues across various art forms and styles, including Tamara Anna-Cislowska, Aiko Goto, David Greco, Steven Isserlis, Afro Moses, Ian Munro, Simon Tedeschi, Dénes Várjon, Shanghai and Acacia string quartets. She has recorded three CDs with Pianist Philip Mayers, was featured on Sally Whitwell’s Aria-nominated CD, “I was Flying”, Cyrus Meurant’s CD “Monday to Friday” and on recordings with Halycon, Australian Chamber Orchestra and other orchestras.
Artist Theo Carbo
Artist Alexandra Oomens
Alexandra Oomens is a Harewood Artist with English National Opera, a graduate of the Royal Academy of Music opera program, and an alumna of the Georg Solti Accademia.
In 2021 Alexandra made her debut at the London Coliseum as Josephine in HMS Pinafore. Other operatic roles include Daphne/Aurora, Gli Amor di Apollo e di Dafne, Pinchgut Opera, Barbarina, Le Nozze di Figaro, Opera North, Zerlina Don Giovanni, Clonter Opera. During her time at RAO, she sang Vixen Cunning Little Vixen, the title role in Semele, La Princess/La Chauve-Souris L’Enfant et les sortileges, Laurette Le Docteur Miracle, Tina Flight, Cupidon Orphée Aux Enfers, and Damigella L’Incoronazione di Poppea.
Alexandra’s concert repertoire includes performances of Bach’s Jauchzet Gott in Allen Landen and Coffee Cantata BWV 211 at the Canberra International Music Festival, as well as Exsultate Jubilate (Mozart), and B Minor Mass (Bach), Die Donner Ode (Telemann), Easter Oratorio (Bach).
Artist Anchuli Felicia King
Artist Anna McMichael
Anna McMichael is an Australian-born violinist who returned in 2010 to live in Australia after 17 years in Holland performing in many of the major European ensembles and orchestras.
She grew up in South Australia and studied violin with Marie Roberts, Beryl Kimber and William Hennessy. In 1990, Anna was awarded first prize in the string concerto final of the Australian Broadcasting Commission National Instrumental and Vocal Competition.
In Australia, Anna performed as a concerto soloist with the Adelaide Chamber Orchestra, Adelaide Symphony Orchestra, Tasmanian Symphony Orchestra, and Queensland Symphony Orchestra. She was awarded a Queen's Jubilee scholarship in 1993 to study with Vera Beths at the Royal Conservatorium, the Hague in The Netherlands where she graduated cum laude in 1995. Anna also followed lessons with Alexander Kerr and baroque violin with Elizabeth Wallfisch. As well as her performance studies, Anna has a Master’s Degree in Historical Musicology from King’s College, London and a Doctorate from Sydney Conservatorium.
Anna is coordinator of Strings at the Sir Zelman Cowan School of Music, Monash University.
Australian Dance Party
Artist Ben Ward
Artist Chad Kelly
Artist Edward Neeman
Artist Flinders Quartet
Flinders Quartet (FQ) is instantly recognisable as one of Australia’s most loved chamber music ensembles. They are a quartet for the 21st century and a highly respected force in Australian chamber music, entering their third decade with acknowledged musical skill and maturity.
Over twenty years, FQ has followed a unique path and continues to live up to its motto of “caring for tradition, daring to be different” through its busy schedule of activities.
2022 sees FQ presenting their annual subscription series in three Victorian venues; premiering nine new works by Australian composers, touring nationally for Musica Viva Australia; appearing at Adelaide Festival and Canberra International Festival of Music; completing a two-year Margaret Sutherland performance and recording project; continuing in their mentorship roles for John Noble’s Quartet Program and Musica Viva Australia’s Strike a Chord championship; and supporting emerging composers through the quartet’s seventh annual Composer Development Program.
Richard has spent almost his entire 43-year career on stage. Trained in London, he was soon performing on the West End in Grease and Elvis, and came to Australia in 1985 with cult cabaret band The Bouncing Czecks. MTC: The Lady in the Van, Twelfth Night, Born Yesterday, Double Indemnity, Ghosts, Music, Queen Lear, The Gift, Drowsy Chaperone, Rockabye, Entertaining Mr Sloane, The Give and Take, Dumb Show, The Daylight Atheist (Green Room Award), Betrayal, Man the Balloon, Life After George, Measure for Measure, Comedy of Errors. Malthouse: The Black Rider, ‘Tis Pity She’s a Whore. STC: The Secret River, Gross und Klein, Great Expectations, Moby Dick. Bell Shakespeare: A Midsummer Night’s Dream, The War of the Roses, Henry V, Henry IV. STCSA: Moby Dick, Marat Sade, Restoration. Musical Theatre: Come from Away, Oklahoma!, King Kong, Billy Elliot, Rocky Horror. TV: Wentworth, Underbelly. Films: Pirates of the Caribbean.
Dimity Shepherd is one of Australia’s favourite mezzos. A four time Green Room Award winner, her career spans the worlds of both traditional and contemporary opera. She has been sought after as a performer of new Australian works, most recently the acclaimed Lorelei. She appears regularly on the operatic and concert stages around Australia
Artist Gelareh Pour
Gelareh Pour is an Iranian born classically trained multi-instrumentalist, singer, composer and music instructor, largely performing on the Kamancheh (Persian spiked fiddle). Currently based in Ballarat, Australia, Gelareh leads two experimental groups, Gelareh Pour’s Garden and ZÖJ, and regularly collaborates with artists from all walks of life. Gelareh’s music explores the duality of multiculturalism and true cross-cultural experimentation. Since her arrival in Australia she has produced six independent albums, composed music for various ABC Radio programs and has appeared in some of the most respected Australian and international music festivals and venues. She has become a finalist for Art 2020 Music Awards for Excellence in Experimental Music and nominated for industry voted Music Victoria Awards 2020 & 2021 for the Best Intercultural Music Act.
Artist Horomona Horo
Artist James Ioelu
New Zealand bass-baritone James Ioelu was a member of the ensemble of artists collaborating for the English National Opera/Dutch National Opera/Metropolitan Opera co-production of Porgy & Bess; he appears in the production in London and Amsterdam. He returns to London for the ENO/Unicorn Theatre production in the title role (c) Dido and Aeneas.
Recent roles include his New Zealand appearance at Hamilton Festival in the principal role of King Potatau, the first Maori King, in the premiere of Janet Jennings’ new opera, Flowing Waters. The artist spent the summer at Garsington Opera as a member of the Alvarez Young Artists' Programme, and in the role of Second Armed Man Die Zauberflöte and Pistola (c) Falstaff and went on for the ailing principal with exceptional results.
Past engagements include the roles of Abimelech/The Old Hebrew in Grimeborn Opera’s production of Samson et Dalila, Colline in Iford Arts production of La Boheme, Innkeeper/Sergeant/Captain Manon Lescaut with the Auckland Philharmonic Orchestra under the baton of Giordano Bellincampi, and the role of Jonas Fogg/Judge Turpin (cover) Sweeny Todd for New Zealand Opera. He sang with the NZ Barok Orchestra as King Thoas Oreste and added the role of Montano Otello with the Auckland Philharmonic Orchestra alongside fellow New Zealander Simon O’Neill in the title role. The artist also appeared as Marchese d’Obigny/Barone Douphol (c) La Traviata (NZ Opera) conducted by Wyn Davies.
James Ioelu completed his training at London’s National Opera Studio (2015/16); earlier, Mr Ioelu spent two seasons at Manhattan School of Music in New York where he sang Trinity Moses Aufstieg Und Fall der Stadt Mahagonny, Mephistopheles Faust and Louis XVI The Ghosts of Versailles, winning a great deal of positive attention.
Back in New Zealand in 2014, the artist appeared in with the Auckland Opera Studio as Raimondo Lucia di Lammermoor for which he won outstanding reviews. He joined San Francisco Opera’s Merola Program and sang the title role in Don Pasquale with the San Francisco Opera Orchestra winning great accolades from the notorious San Francisco classical press.
Past highlights include the role of Bruno in the world premiere of Michael Williams’ original work The Juniper Passion, conducted by Marco Attura and directed by the librettist John G Davies, which premiered at Teatro Romano in Monte Casino before touring to other Italian cities for performances in the Sapienza Theatre at the University of Rome and at the Museum Theatre in Nemi.
Mr Ioelu’s other successes include the roles of Rodolfo La Sonnambula, Publio La Clemenza di Tito and Cesare Giulio Cesare as well as the role of Mother Seven Deadly Sins, all performed with the Auckland Chamber Orchestra. Concert appearances include Bass Solo/Adam (cover) in Haydn’s The Creation under the baton of Nicholas McGegan conducting the New Zealand Symphony Orchestra, and the Bass Soloist in Handel’s Messiah with the Auckland Choral Society.
James Ioelu is originally from New Zealand where he completed a BA in Music and Psychology at the University of Auckland: his competition successes include winning the New Zealand Aria Competition, the New Zealand Young Performer of the Year award as well as placing second in both the Joan Sutherland and Richard Bonynge Bel Canto Competition and the Sydney Eisteddford Aria Competition.
Artist Jeremy Sun
Artist Kate Neal
Kate Neal is an artist with over 20 years’ experience as a composer, arranger, educator, and collaborator. In 2020/21 Neal premiered Sentiment Logistics with Sal Cooper, a TURA No Borders commission, as well as new works for Golden Gate Brass, Muses Trio and sound design for the RISING featured theatre work The Dispute. A new solo cello work Old Silences (with animation by Sal Cooper) also premiered in Brisbane and was to feature at the 2021 Art Music Awards.
In 2019 Neal premiered The Commuter Variations commissioned by the Melbourne Recital Centre (10th Anniversary), performed by Lisa Moore with animation by Sal Cooper. In 2018 Neal premiered While You Sleep, a 60min ground-breaking work for string quartet and visual media, presented by Arts House, Melbourne. In 2016 she composed Permission to Speak a vocal work in collaboration with theatre maker Tamara Saulwick. Produced and presented by Chamber Made, Permission to Speak achieved critical acclaim, and also showcased at APAM 2018.
In 2017 Neal premiered Never Tilt Your Chair at PICA (Perth Institute of Contemporary Art) with the Sound Collectors, a work for over 200 pieces of cutlery. This involved substantial instrument design and construction. Neal also composed five short bagatelles, Eurus for Arcadia Winds in the Musica Viva Schools program as well as a new work for the Sydney Symphony Orchestra, August 2017. In 2015 Neal presented her concert length work Semaphore, which won Instrumental Work of the Year as well as Performance of the Year at the APRA Art music awards, showcased at APAM (Brisbane) and pitched at Classical:Next (Rotterdam). This work showed exceptional courage in documenting ANZAC signalman, and found new ways in integrating and notating physical movement and gesture for both musicians and dancers.
In 2015 Neal was the recipient of an Australia Council for the Arts Fellowship, allowing her to compose six substantial works over two years. In 2013 Neal returned from the US to take a one-year position as Composer in Residence for the Four Winds Festival. From 2009-2013 Neal was a Graduate Fellow at Princeton University in the USA, and from 2007-2009 she was based in the UK. Neal received a NUFFIC scholarship in 1999 and studied with Louis Andriessen and Martijn Padding at the Royal Conservatory in the Netherlands.
Neal currently (2020/21) is a lecturer in Interactive Composition at the VCA, University of Melbourne.
Neal holds a BMus (VCA, Melbourne); BMus/MMus (RC, The Hague); PGDip (non western music, SC, Amsterdam); PGDip (RNCM, Manchester); PhD Graduate Fellow, Princeton University.
“Adrenalin-filled musical adventure a winner” - The Age
“Ravishing piano glissandi and arpeggiated strings” - The Australian
“Complex, rousing stuff, performed with precision” - Australian Arts Review
“Explosion of scintillating colour and intoxicating movement” - Herald Sun
Artist Kim Cunio
A/Prof Kim Cunio, Head of the School of Music at the Australian National University (ANU), is an activist composer interested in old and new musics and the role of intercultural music in making sense of our larger world. A scholar, composer and performer, Kim embodies the skills of the artist, showing that writing and making art are part of the same paradigm of deep artistic exploration.
A descendant of Mizrachi Jews from Shanghai, Kim is a recipient of the ABC Golden Manuscript Award for his work on traditional music. His compositions have been played internationally with performances at the Whitehouse, United Nations, and festivals in a number of countries. His list of commissioning organisations includes the Sydney 2000 Olympics, Art Gallery of NSW, National Gallery of Victoria, Melbourne International Arts Festival, Foundation for Universal Sacred Music (USA), and many others. A number of Kim’s projects and tours have been funded by the Australia Council for the Arts and the Commonwealth Government. Kim is currently working on a series of albums with the Gyuto Monks of Tibet; a project setting the sounds of space with the British Antarctic Survey and artist engineer Diana Scarborough; and a project on enforced feticide in India with writer and gender scholar Manish Sharma.
Under Kim, the ANU School of Music is entering a new renaissance, again valued by the university and the community of Canberra due to the work of its academic staff and the fearlessness of its students.
Artist Kristian Winther
Artist Lucas Krupinski
Artist Matthew Doyle
Artist Naoto Segawa
Born in Japan, Naoto Segawa picked up marimba as his instrument and embarked on his undying pursuit of discovering new marimba repertoires. He is dedicated to bring the marimba into chamber music scene, and his passion led him to found Ensemble Go which aims to bridge sound worlds of the traditional and the contemporary.
Naoto actively seeks to perform the works of up-and-coming composers, premiering many new compositions, including pieces by Joshua Pangilinan, David Taylor, Tsu-Chin Hsu, Kongmeng Liew and Simon Eastwood.
He has won numerous awards in competitions including the 14th KOBE International Music Competition, 6th Romania International Music Competition and JILA Music Competition and has appeared in various chamber music programmes and festivals including Adam Chamber Music Festival, Hong Kong new music academy and Asian Composer’s League Festival. Upcoming projects include a national tour throughout New Zealand presented by Chamber Music New Zealand, featuring a new work written by Linda Dallimore.
Artist Niki Johnson
Artist Oriana Chorale
Artist Solomon Frank
Artist Sydney Chamber Choir
Sydney Chamber Choir is passionate about choral music and its unique ability to celebrate and reflect upon the stories of our past, present and future.
The Choir reaches back to explore the masterpieces of the Baroque, Renaissance and beyond, while also championing the music of our own time and place, regularly commissioning works by established and emerging Australian composers. In 2021, the Choir premiered new works by Brenda Gifford, Paul Stanhope and Joe Twist.
Formed in 1975, the Choir has been led by Nicholas Routley, Paul Stanhope and the late Richard Gill AO. Current Artistic Director, Sam Allchurch, took up his appointment in 2019. The Choir has also been fortunate to work with guest conductors such as Carl Crossin, Roland Peelman, Liz Scott and Brett Weymark.
The Choir collaborates with leading Australian instrumentalists, ensembles and singers, including the Australian Haydn Ensemble, Australian Romantic & Classical Orchestra, Andrew Goodwin, Slava Grigoryan, Synergy Percussion, Sydney Symphony Fellows, Joseph Tawadros and The Muffat Collective. More unconventional partnerships have included concerts with The Idea of North, the Hilltop Hoods and the Sydney Mardi Gras Community Choir.
Sydney Chamber Choir appeared at the Sydney Festival in 2021 and has toured widely in eastern Australia. The Choir has also sung in Hong Kong, Taiwan and the UK, and in 2009 was a prizewinner in the Tolosa International Choral Competition in Spain.
The Choir’s performances are broadcast across the country on ABC Classic, and CD recordings are available on the ABC Classics and Tall Poppies labels.